Salvation's End

Album Review: Salvation’s End – The Divine Wrath of Existence

Just when I thought all of the fresh talent in prog metal was hiding towards the more extreme side of the spectrum, I am introduced to this band, the Detroit, MI based Salvation’s End. Although I was expecting SE to fall into the same rut of Dream Theater or Symphony X that so many melodic prog metal bands do, the change of pace here is refreshing, and while not an entirely new breath of fresh air than what I have already heard in the style, Salvation’s End do plant themselves as one of the last vestiges of hope in a style that I personally think got tired over a decade ago.

Salvation's End - The Divine Wrath of Existence

My personal cynicisms for melodic prog metal aside, Salvation’s End are a truly impressive act, and the fact that I find myself so endeared to them with all things considered should be a testament to their strength as an act.

Musically, Salvation’s End’s music is heavy at times, but always melodic, and resists the temptation to become an overly technical wankfest a la Dream Theater. Instead, Salvation’s End bases their debut album, The Divine Wrath of Existence, around the long lost art of proper songwriting; their music uses sometimes complex musicianship, but it is always based in a tight composition, and this really grabs my attention. The vocals here are often the center of attention atop tasteful instrumentation, the atmosphere is kept somewhat melancholic throughout, and — coming as a surprise to someone that was expecting a metal album — tastefully mellow. Salvation’s End is instead heavy prog rock throughout most of this, although I would have to say that the vocals keep a metallic tinge to the music. The vocal delivery by Rob Lundgren on The Divine Wrath of Existence is something refreshing.

The songwriting here is generally the highlight of the release. Everything is beautifully produced and polished, but the sound stays organic; a sure sign of a successful studio job. The songwriting really caught my attention from the first listen onwards though opening “Death of Reason” and its follow-up “Languorem” are two of the most memorable tracks here, using some lively riffs to create a hook. The title track makes perfect use of those mid-to-high-register vocals that Lundgren does so well The highlight moments on The Divine Wrath of Existence are brilliant. The album is one of the most consistent releases I have heard since the beginning of the year. It gets me excited to see what else that the band has in store.

Get The Divine Wrath of Existence from Bandcamp.