It makes perfect sense that Pearly Gates came together as a result of a planned hybridisation of Tool, Black Crowes, Porcupine Tree and Pink Floyd. This Finnish quintet are wholly infused with the same penchant for adventurous art introspection.
Pearly Gates tether themselves not only to the erratic expressionism of progressive rock, but touches of alternative / pop rock styled consciousness expansion as well. A bombastic affair, Pearly Gates are predominantly led by gracious singing of Jonne Nyberg, who also handles guitars, saxophone and harmonica.
Their incisiveness and edgy tones cut the path for the excitable raw guitar work and ever unpredictable percussive collapse that follows. Despite its heady nature, a sense of playfulness is exhibited throughout the four-track release.
White the guys are certainly enjoying what they do and have fun, there is a determinism instilled wishing their songs that keeps them pulling to an eventual conclusion. It is a meaty listen that runs the sonic gamut from and to wide spectre of influences.
Dynamically charged and musically gifted, Pearly Gates plow through a colourful array of punchy grooves and extravagant melodies. But rarely do they get lost in the clouds thanks in part to the considerable weight of their low end focus and continual efforts to make their sound diverse. Abrasiveness emerging from heady indulgence rather than overpowering distortion is a refreshing change of pace.
It may not be a pick for everyone, but those who have record collections that include the mentioned groups are in for quite a treat.