The Shadow Principle - Oblivion

Review: The Shadow Principle – Oblivion

Post-punk is often regarded as a genre that has a lot of similar sounding bands, especially when it comes to vocals. LA’s The Shadow Principle do play to the post-punk sound pretty tightly but on their new, second album Oblivion, they also take the time to raise their music beyond the confines of that sound. How far they go beyond those confines is subjective but they do find something for everyone.

The album opens on the epic sprawl of “Minutae,” which cuts from a big beginning to fast-paced verse filled with light guitar flourishes that at times sound so flowing. The song’s guitar solo, awesomely performed by Reza Moosavi, takes the song out on a great note. The bass, courtesy of Dave Tomkins, on “When the Sun Appears” gives a nice secondary riff that outdoes the guitar at times. Vocals of Nohl Takahashi are a huge addition to the song’s energy and anthem-feeling vibe.

Byzantium” has a much more mysterious opening than the earlier tracks thanks to a great echoing atmospheric line at the beginning. The riffs that drive “Dead Walking” give it an opening well above many on the record.

Oblivion may not be a game-changer but it gives The Shadow Principle ground to stand on and a great example of their sound and talent. Even if you’re not a fan of post-punk with different influences you can get behind a track like “When the Sun Appears.The Shadow Principle play to their genre well while trying to explore other ideas within that sound.

Buy Oblivion here.