British-isms that fuelled the first golden years of progressive rock are here in tandem with the byzantine instrumentation that would give it lasting appeal.
It’s clear that these folks already have a firm grasp of what they wanted to do and how to do it from the very start. Overloading shows that Anakdota is confident and precise from the first song to last, offering well-thought melodies, interesting vocal arrangements, and passages that connect the dots that are quite enjoyable. Erez Aviram, who is the key person for this project, is a pianist who absolutely shines here. The main instrument on this record is the piano, played masterfully by Aviram. The sound is well-rounded, the passages are melodic. The interplay between piano parts and vocals, courtesy of Ray Livnat and Ayala Fossdeld, is another highlight of Overloading.The term “virtuosity” has been a synonym for progressive rock for a while, but this release is focus on melody over the technicality, but still the latter is present a lot.
The craftsmanship and musicianship are top-notch. Starting from the openers “One More Day” and “Different Views,” as Overloading flows by Anakdota are even more prolific; they are like a flower that opens up slowly.
The album’s centrepiece is the title track, which sees Aviram providing an intricate work on his piano, with Livnat providing his most theatrical performance, and a very imaginative rhythm section.
To conclude, with Overloading Anakdota hints that they have the knowledge and potential to make something good. At least, this record is far from being categorized as a “hobby album,” it surely needs to be listened and is not one of those “skip-over” releases. Give this album a chance and let the music speak to your heart, rather than your brain!
Get a copy of Overloading here.