Tag Archives: deathcore


Album Review: Acidiun – The Coalescence

I was admittedly late to the Acidiun party, and it was by my own design. I found that the band’s overall sound is right in my wheel house of technical, tight, and aggressive deathcore. Upon the first listen I was sold, and I immediately devoured “The Coalescence” again. I was greeted by a band that seemed content making their own rules, traversing the slippery slope of sub genre alphabet soup and doing it with style. At times mind-numbingly complex, and at others focused on speed and aggression, they made metal that is forward thinking and diverse, while still being unapologetically heavy.

Acidiun - The Coalescence

The more I listened to this record, the more I enjoyed the sounds coming out of it. Make no mistake, the record is a slab of crushing deathcore/metalcore. Impeccably played and impeccably produced, it comes off as another notch on the rich scene. Sonically, the record is tight, fast and heavy with crunchy guitars that have heft and an overall crispness to the sound that allows the instruments to shine. The riffs are heavy, there are odd time bridges, feel changes and tasty leads that fly by in abundance. In short all of the boxes are checked.

Although nominally not a prog band, these guys are talented enough to do whatever they want. They have seemingly found a formula that is working for them for the time being, and only time will show where and how they deviate from it. I will be very curious to hear where they go with the next record, and whether or not they will stay this course they embarked upon.

So at the end of the day, “The Coalescence” is a solid outing from Acidiun. As a fan of metal, I can appreciate what they have done here. I just hope that more of that original mentality creeps its way into their next release.

Stay tuned with Acidiun via their Facebook page.

Bloody Rabbeat


French deathcore five-piece Bloody Rabbeat answered our questions about their recent EP “Use Your Head,” and more.

Alright, first thing is first. Before we dive into all the music stuff, how’s life?

Hi! Well despite the current situation in France in 2018 and our personal preoccupations, Bloody Rabbeat still brings us together as friends and in a positive and constructive atmosphere!

Speaking of new music, you have an EP. What can people expect from “Use Your Head”?

The EP was indeed released in May 2017. It is made of 4 deathcore-oriented tracks and lasts around 20min total. These four songs deal with self-reflexion and hindsight regarding oneself, it allows us to tackle issues which are dear to us with a twist of humour all the while remaining faithful to the metal universe.

You can expect our music to sound like some kind of atypical deathcore with other influences kicking in at times as well as elaborate compositions conjuring up different atmospheres. You will also hear a special guest on the last track, I’m thinking Ricky Myers from the band Suffocation.

What was it like working on the EP?

It was a rather natural process. We sought the right kind of compromise between our budget and our expectations. It was recorded at home so there was no pressure for us; once the recording phase was over and done with we forwarded the tracks to Mobo from Conkrete Studio who did a great job with the mixing and mastering. Jeff Grimal worked on the artwork in parallel then we took care of the marketing side ourselves, which turned out to be rather tedious!

Use Your Head

Are there any touring plans?

We did a tour in France in late 2017. It was a terrific experience and we would gladly do it again. In the meantime we’re working on the next instalment and on upcoming shows.

While we are on the subject of touring, what countries would you love to tour?

Ideally we’d like to go on tour quite about everywhere; but if we are to be reasonable why not go and visit a couple of European countries now that we’ve played in many regions in France. The only problem is that it’s rather time-consuming and the logistical side is also demanding, all the more so since we do not have a tour manager, also we’re quite busy with our respective jobs.

Who and what inspires you the most?

We draw inspiration from many things from our daily routine to write and compose. We’re also influenced by a certain number of bands that we like, the main ones being As Blood Runs Black and All Shall Perish for the more deathcore side of our music.

What other genres of music do you listen to? Have any of the other genres you listen to had any impact on your playing?

We all have different tastes: some listen to classical, jazz, trip hop, others prefer trap and all of this nourishes our music.

I really appreciate you giving us your time today. Is there anything else you would like to tell us and the fans before we wrap things up?

Well first of all thank you very much for the interview! Come and follow us on social networks where you can keep up with the latest news, watch our videos, check our tour dates… You name it!






Review: Unprocessed – Perception

It’s not every day that one hears a modern day metal band produce an album that truly challenges the stereotypical sound that may be expected from contemporary metal acts. Enter Unprocessed — Wiesbaden, Germany based metal heads releasing a new EP just last month. I’ve spent the last four days immersed in the experience that is Perception and I can’t seem to stop listening to this incredibly versatile and talented group of musicians and this gem they’ve produced.

No more than three years on the metal scene, Unprocessed’s sound is a uniquely balanced mixture of Progressive Metal, Ambient, Metalcore, Djent, yet the seamless integration with which the band has brought these together is a testament to their musicianship and skill.

So let’s get down to brass tax – this album is not for the faint hearted. Tracks like Praludium and Ocean of Silence, kick off with no bullshit thrash, blisteringly hard hitting drumming coupled with flawlessly executed guitar riffs and bass lines to match not to mention the quintessential growl that has mosh pits swirling in unison. It’s what comes next that makes Unprocessed’s sound theirs and theirs alone.


The album holds additional treasures such as Desert by the Sea and Perspective, both of which have a relatively greater degree of Progressive Metal evident in their composition.

Possibly the most complete embodiment of Unprocessed’s sound in 2016 are two centrepieces: Life. A Prologue of Death and Death. An Epilogue of Life. Catchy guitar riffs to kick off verses full of growls and choruses full of harmonies lull the listener into the comfort of a hard hitting songs. The ease with which the vocals jump into the growl speaks volumes of the adaptability of the vocals on the album. Truly an all-encompassing experience of the sound that Unprocessed have developed.

I can go on for hours about this release but the bottom line is that Unprocessed have absolutely nailed on Perception with their song writing, virtuosity and execution. Do yourself a favour and get the EP.