Soil Organic Matter is the second full-length release from Denmark-based band Wayward Dawn, providing ten tracks of uncompromising and very much 100% death metal.
From opener ”Requiescat in Pace” to closer “Thy Name Is…,” this outfit plies the listener with agonised strains which develop into gruelling yet melodic heaps. Imagine a thicker, denser mixture of Lamb of God and Bloodbath in those thrashier segments as each track builds with suspense to become a hammering tool of brutality where you’re force fed those vocal gargles and accessibly yet gnarly structures.
As one would expect, there’s very much a groove death metal feel throughout. The vocals range from snarling rasps to deep, guttural coughs. And there’s a great variation of pace too, the title cut being a prime example of the band and their flexibility as they race with haste and aggression, melodiously carving grating strands of death / thrash and coating them with those sickly vocal smears.
Soil Organic Matter is a solid effort throughout, although the flavour isn’t necessarily old-school; at times there’s more of a mid-to-late 90s style of gushing death metal.
Forest God is a relatively new project coming from Aalborg in Denmark who recently release a new EP entitled Back to the Forest. The project is led by composer Peter Kiel Jørgensen, who is joined by a number of guest musicians throughout the record.
Back to the Forest requires careful listening in order to be fully appreciated. It is definitely not the kind of stuff you can put on as a soundtrack for other activities – complex music, full of twists and turns, yet not unnecessarily complicated, or weird for weirdness’ sake. In fact, the music has a beautiful, natural flow, a clarity and melodic quality. Even though guitars make up a prominent part of the sound, they never get to the point of overwhelming the other instruments. As in most experimental music, however, the foundation of the EP’s sound lies in the rhythm section, especially in the jaw-dropping drumming patterns provided by Martin Haumann (Myrkur).
Head-spinningly complex without being cold and sterile as other efforts in a similar vein, Back to the Forest can easily be listed as one of the top releases of 2018. In fact, the sterling musicianship, coupled with an admirable sense of restraint, focuses on creating cohesive, highly listenable tracks rather than pointless displays of technical skill.