Tag Archives: jazz fusion

Randomnicity

Review: Konstant Singularity – Randomnicity

Konstant Singularity is a project of Russian multi-instrumentalist, but mainly guitarist, and composer Konstantin Ilin who lives in Dublin, Ireland for a few years. In May 2014, Ilin released his debut album with KS entitled “Music Diversity Party” (available here), and back in December 2016 he returned with its followup — “Randomnicity.” A quick comparison between the two releases reveals that the new record feels far more free-form than its predecessor.

“Randomnicity” is at times a brutally minimalist avant-rock exploration of loathing and at others a nostalgic trip through a bad 1960’s acid trip, 1970’s progressive rock, 1980’s art pop, and 1990’s jazz fusion. “Randomnicity” is driven in equal parts by noise rock’s harsh guitar, and a sense of sonic adventure and true experimentation. Album highlight “Hyacinth Sky” is a stunning masterpiece; Ilin and drummer Alex Vostrikov abandon all pretence of accessibility, and that it is the very core of the album. This doesn’t seem like a record that is easy to digest, what is in the core of the experimental music, but there is definitely a lot of balance and determination in the band’s improvisational approach. This only adds to album’s intrigue though, as it makes us question the ideas of nostalgia and longing so built into the record’s sounds.

Konstant Singularity have released a powerful statement here; this is an album that should definitely be on radar of many prog fans. Get it from Bandcamp.

You can read the interview with Konstantin Ilin here.

Konstant Singularity

Interview with KONSTANT SINGULARITY

Konstantin Ilyin aka Konstant Singularity recently put out his sophomore studio album which is called “Randomnicity,” and presents a great collection of instrumental guitar-driven fusion. “Randomnicity” is quite an enjoyable experience, and definitely one of the albums from 2016 that anyone who like this style of music should check out. I talked with Konstantin about this record, inspiration, and some more.  

Alright, first thing is first. Before we dive into all the music stuff, how’s life?

Life is great! I’ve moved to Ireland not so long ago. I’m exploring new territories, meeting new people. It is a beautiful country, everybody is polite and nice. I enjoy it. This sets me in a creative mood. Just forget about all problems and write music – that is what I need to be happy.

Speaking of new music, you have an album. What can people expect from “Randomnicity”?

Honest emotions and intimate feelings. It is an instrumental music. There is no particular message in each song. So everybody can hear whatever is important for them. I hope music will resonate with listener’s feelings and will make a day a bit brighter. It is a very emotional record and I trust it will not leave you indifferent.

Randomnicity

What was it like working on the album?

Easy. I mean, of course, I’ve put a lot of effort in this record, but I enjoy it so much that it feels very easy to do day after day. This time I’ve let my emotions drive the creative process. I didn’t try to force it. Write whenever you want and whatever you want – that was my motto (laughing). I forgot about genres, target audience, radio formats and so on, and just created what I like personally. In order to make it sound more alive, I invited my good friend Alex Vostrikov to record live drums on this album. It was a very important decision, cause he made a huge impact on the sound – brought some bits of jazz with very rich drum parts. It made each track more interesting and added another level of musicality.

Are there any touring plans in support to “Randomnicity”?

I didn’t plan to tour with this record. It is a solo project, which means I’m basically alone. Making a live show would be a complicated thing. But if there are people who would help me to organise the tour, I would definitely do that. At least I have a drummer (smiling). If the opportunity comes up, I will.

While we are on the subject of touring, what countries would you love to tour?

All over the world! But realistically – Europe and United States. Ireland is a very good spot for that. Very easy to get to any European country and also quite easy to get to States.

Who and what inspires you the most?

Usually, people around me and my feelings about these people. Every composition has a special meaning to me. Related to some event and personal experience. Sometimes a good movie can inspire to write a song. Also, I’m very influenced by other musicians. When I listen to my favourite bands I immediately want to grab an instrument and compose.

konstant_singularity_003

What other genres of music do you listen to? Have any of the other genres you listen to had any impact on your playing?

Oh, I listen to different music. I don’t limit myself with genres. If I like the song I don’t really care what style it is. From jazz to death metal – I listen to anything. On this record, you can hear influences of contemporary jazz like Esbjorn Svensson, dark jazz – Bohren & der club of Gore. As well as electronic music like Trifonic and Massive Attack. I could mention Opeth as well. This death metal band is very progressive and I’ve been listening to it for many years.

I really appreciate you giving us your time today. Is there anything else you would like to tell us and the fans before we wrap things up?

I would like to thank everybody who listens to my music. I hope it will support you in happiness and sadness. If I manage to make somebody’s day a bit brighter – then my music serves a good purpose.

Links:

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Orion Tango - Orion Tango - Orion Tango

Review: Orion Tango – Orion Tango

Five tracks and almost fifty minutes of music is what you get with the debut album from Philadelphia bass experimental outfit Orion Tango. The band members, Tim Motzer (guitars), Barry Meehan (bass) and Jeremy Carlsted (drums), have played together in various projects already, but this is their first time together in a power trio format.

Orion Tango - Orion Tango - cover

The band members are skilled musicians who understand being in a band that largely relies on improvisation. The guitar and electronic textures are astonishing; the drums are usually heavy and grasped with the prowess of a master craftsman, great tone and very vibrant, sometimes leading the songs through complex instrumental workouts. The same can be said of the bass. Barry Meehan often delivers a fuzzy tone, giving the tunes a heavy bottom end when there is a need for that. Usually the main issue with this kind of albums is with melody, because it often gets lost in the predominant experimentation, but Orion Tango answers that challenge flawlessly. These three gentlemen are to be commended for making challenging music completely outside the box.

Find Your Happy Place” opens the album under a nodding groove; the trio gives the soundscape an almost unsettling atmospheric feel. The song comes along with energetic motives and gentler, almost ambient atmospheres. “SuperGun” is when all hell breaks loose as heavy drum beats and greasy bass take the piece in completely free form regions. The band often takes different directions with psychedelic guitar and space rock atmospherics. Orion Tango take the extraordinary to another level. On the seventeen minute epic “Gravity Knife,” Orion Tango engages into another improvisational affair with equal amounts of heavy eccentrics and space rock multi-coulourness.

If you are a fan of experimental music, Orion Tango’s self-titled debut release is definitely an album that you’ll find enjoyable.

Buy it here.