Tag Archives: metal

Zombie Strippers from Hell

Review: Zombie Strippers from Hell – Tales from the Other Side

This Polish duo fuse heavy metal with raw hardcore punk and occasionally thrash, and they do it with deliciously seductive genius. This debut full-length is just over 48 minutes long but it’s intense, unpretentiously creative and relentlessly rhythmic.

Tales from the Other Side

Zombie Strippers from Hell have synthesised their style to perfection, riddled with excellent melodies, fuzzy guitar lines, deep groove and hooky riffs. Dracula is immense with an ominous build-up and tumbling old-school death metal. Hellraiser is classically heavy metal and Trapped Under Ice encapsulates all that this band do best with grizzly guitars and gigantic riffs. Meanwhile, Lovesong dials up the melodic metal and hardcore vocals with an enticing singalong. Closing Hatchet is the real masterpiece, though. It’s fast, dense, heavy, criminally hook-laden, and utterly captivating.

Zombie Strippers from Hell are carving out a hybrid genre all of their own.

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Blindboss

Review: Blindboss – Our Tribe

Blindboss is a one-man band by multi-instrumentalist Max Histrionic hailing from California and delivering very dynamic sound, who is about to launch a new album “Our Tribe” on February 23. This is a very vivacious album with many joyful elements in it. It is one of those “morning coffee” albums. It knows the ways of how to discharge you and bring you real joy with its energetic tunes.

Blindboss - Our Tribe

“Our Tribe” includes twelve songs. All the way from the opening “Roman Coke” down to the closing “Shade Struck,” “Our Tribe” never stops being heady. Every song on the album is constructed in the same way. Placing this record under a genre is a double-edged sword, but the music is most of time alternative / punk rock with progressive and classic rock influences. And since we are talking about influences, the music of Blindboss recalls likes such A Perfect Circle, Soundgarden, Tool. But there is more than that. Histrionic transcends into the territory of the ‘70s vintage rock. So it can be said “Our Tribe” is a great harvest of modern and classic.

Overall, Blindboss’ “Our Tribe” is a very effective, powerful and tasty album comprised of great vocals arrangements, intricate guitar work and strong structure. It goes to the category of “must listen to” albums released in 2018.

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Zombie Strippers from Hell

Interview with ZOMBIE STRIPPERS FROM HELL

Zombie Strippers From Hell is Dr. Satan and Mark Twain, and they are my new favorite band. You will probably think “how come that someone with such band name and pseudonyms can even be real or serious about music,” but the fact is that the duo makes some pretty dope music. Hear it yourself.

So, Dr. Satan and Mark Twain completed work on their debut album entitled “Tales From the OtherSide,” with drums recorded by Decapitated’s Michal Lysejko, and it was released on December 1st.

Doctor and Twain talked with me about the album, and more.

Alright, first thing is first. Before we dive into all the music stuff, how’s life?

Everything is great, we have some holidays now so everyone have some time to spend with family, friends etc etc. nowadays lack of time can hurt our relationships so every free time we like to spend with our beloved.

Tales from the Other Side

Speaking of new music, you have an album. What can people expect from “Tales from the Other Side”?

It’s our full-length debiut and it shows our musical diversity – we like mixing up some tunes and for us its really important to put every tune we like in our music with freedom of creation. So if You like all kinds of heavy music you will enjoy it.

What was it like working on the album?

It was great but very stressful time. We did all the preproduction stuff at our home DeepOne Studio in Pszczyna – so at the “real” studio (HugeStudio) we was prepared enough to make things nice and smoothly. Bartosz Góra (our engineer & producer & friend) knows us very well so we put all tracks very fast. Michal Lysejko is so talented and skillful drummer so working with Him was a pleasure and joy. The hardest way for us because we did everything by ourselves, was to create our sound – but we were challenging ourselves very hard so the mixing was the longest part and the most nervous. From one side we were like schoolboys in the new school with our music and our knowledge about whole process but from the other side we had strong consciousness about who we are and where we want to be. And Michal pushed us really hard but now You can hear the results – we are very happy with them.

Zombie Strippers From Hell

Are there any touring plans in support to “Tales from the Other Side”?

Now we’re in the middle of preparing new lineup cause we had some troubles in the past. We’re looking for talented guys to play with us and maybe in the near future You’ll see the Zombie Strippers from Hell live with new material.

While we are on the subject of touring, what countries would you love to tour?

First of all, because we don’t have any contract and other commitments when the time will come we want to do some concerts in Poland. We have some good friends waiting for us, to see us live on the  stage. Then, who knows what will happen?

Who and what inspires you the most?

Lyrically Howard Philip Lovecraft and his work; horror b-movies and cult classic like Friday the 13th; Texas Chainsaw Massacre, Halloween… Musically everything from classic punk like Misfits; old school heavy metal (Iron Maiden, Helloween) to new modern classic like Slipknot, Killswitch Engage, Machine Head… We listen to very different music – both of us have some very opposite beloved bands but we’re open minded and that’s most important for us when we create our own music.

What other genres of music do you listen to? Have any of the other genres you listen to had any impact on your playing?

Yeah, Mark Twain listen a lot of Dream Theater and Mr. Petrucci has a real impact on him. And Disco from ’90s is a perfect fit for us when we’re dancing :)

I really appreciate you giving us your time today. Is there anything else you would like to tell us and the fans before we wrap things up?

Yeah – read the Lovecraft, listen to Zombie Strippers from Hell and enjoy Your life!

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Synaptik band

SYNAPTIK’s New Album “Justify & Reason” Out in March

British heavy metal five-piece Synaptik recently announced the re-release of debut album “The Mechanisms of Consequence,” arriving as a heavier remixed album due out on January 30th.

The Norwich men show no signs of slowing down as they are also set to make a huge impact in 2017 by following that debut with the release of sophomore album “Justify & Reason,” due out March 10th.

For U.S. fans, it’s a double dose of metal as the remixed album and the new record “Justify & Reason” will be released as a double album directly via Divebomb Records.

Synaptik describes “Justify & Reason” as: “A collection exhibiting real finesse, true technicality but not at the expense of neck-snapping riffs and a progressive air that’s both bracing and intimidatingly menacing.”

1. The Incredible Machine
2. Human / Inhuman
3. Conscience
4. White Circles
5. Esc Ctrl
6. A Man Dies
7. As I Am As I Was
8. I Am The Ghost (intro)
9. Your Cold Dead Trace

Second Horizon

Review: Second Horizon – Albdruck

Second Horizon, a four piece from Cologne in Germany, have quite a challenge as with any new band playing this stylistically demanding music. They either need to add something exciting and original to the genre, or be so bloody good at delivering captivating instrumental rock (that visits quite a few genres) in its conventional form that they stand head and shoulders above the oceans of ordinariness that surround them. While they will not win any awards for innovation, the debut release Albdruck does in fact rise most convincingly from the latter category, and has enough variation in its six tracks to keep interest levels high.

Albdruck

Beginning with the short intro “Zucht,” Second Horizon expertly marry the sludgy histrionics of Panopticon era Isis to the noise rock sensibilities of Melvins. The band doesn’t fuck about with long intros, and like to get on with the business at hand, with only two tracks passing the 6-minute mark. This makes for a more urgent and also provides a much more organic feel to the band’s playing.

In addition to Isis and Melvins you can undoubtedly hear the massive influence of Cult of Luna, Mono, Mastodon, all the major names, but Second Horizon somehow manage to put a unique stamp on this rather derivative framework.

Second Horizon have risen far above the sum of their influences, and delivered a very fine instrumental rock album. Check it out!

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juodvarnis

Review: Juodvarnis – Mirusio Zmougas Kelione

In some ways many metal listeners have divided opinions when the topic is “black metal.” Most of them find it raw or pretentious, but there are some that adore every melody that could come out of a black metal song. Juodvarnis, a lithuanian Epic/Pagan Black Metal band is just like a problem solver at this point. This band’s versatility lies in combining epicness of the pagan take on the black metal genre and folk, heavy, doom, and stoner metal elements, wrapped with a touch of progpower.

The band from Vilnius released two albums so far. “Mirusio Žmogaus Kelionė”, their second album carries every single element that is specific to the mentioned genres. Very epic, at times softened by great high pitched clean vocals, you can also find a fair dose of doom metal. Lyrically the album has its own dark side either. The songs are written in Lithuanian, a language that sounds as a perfect fit for the music Juodvarnis creates.

There is astonishing black metal drumwork in the songs, there are great heavy metal guitar solos, accompanied with tasty folksy elements. But besides that what takes the attention at the most is high-pitched clean vocal that is combined with screams. A rare singing style, which also makes the album unique itself.

There is a similarity between with the known doom bands such as Candlemass, While Heaven Wept, maybe a little of Solitude Aeternus and there is a smell of Void of Silence in the vocals. In some parts you find similarity with Moonspell and a little bit of early Amorphis. As all these bands are far from black metal, and that is what makes Juodvarnis different. A must-listen album of the year right here.

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Infinity Shred

Review: Infinity Shred – Long Distance

New York City is still home to one of the most avant-garde, forward-thinking and influential music scenes of all time. Off the top of my head, I can mention more than a handful of NYC-grown bands and musicians who chellenged the musical status quo and influenced the alternative music world for years to come – from the Velvet Underground to Sonic Youth. The local metal scene is also part of the city’s diverse and intricate network of creative and innovative band, and Infinity Shred is definitely a perfect example. The sound of the band is indeed a very personal and very distinctive blend of metal and synthwave, with electronic music influences creeping in into the natural metal roots of the band’s upbringing.

Long Distance was released on October 14, 2016, and it is the band’s second full-length.

long-distance

Listening to this album is almost an enlightening experience. As the setlist progresses, the sound I hear from my speaker keeps surprising and redefining my perception of what metal could sound like when cross-contaminated with other influences. Post rock drones? Why not. 80s synth pads? You bet! No-Wave style noise burst? Oh yes. This record is a live, colorful and unpredictable beast that channels the diverse sound of NYC under the scope of its metal music scene in a truly brilliant way.

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nomadic

Review: Nomadic – Horror

Nomadic is an American black/death metal accompanied with various other influences. The band has released their debut EP record Horror in April.

Horror features some impressive death metal riffs and brutal vocals, which manages to catch the listener’s attention from the beginning! Although the record is not the typical ‘raw’ death metal one, the vocals and the drums (from time to time) give us that raw atmosphere. The guitars, on the other hand, are quite brutal and show us the diverse and melodic side of the album. In this sense, the record is brutal but also melodic and catchy; I am sure that the listeners will want to hear the record again and again to hear a certain guitar riff, brutal vocals or the crushing drums.

nomadic-horror

A highlight in the atmospheric elements; this aspect made the record much more fascinating and even a bit diverse in my opinion. I even thought to myself that the band could have gone a bit further with the atmospheric approach by using more synths or orchestral elements.

Horror marks the great start for the band. I am looking forward to what Nomadic will come up with in the future. If you have a chance to see them live, don’t miss it!

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glory-of-the-supervenient

Album Review: Glory of the Supervenient – S/T

There are times in every music lover’s life where a record’s concept, ambition, and execution is understood and loved immediately. Not just by the heart and how it makes you feel but on an intellectual level as well. These moments are when one truly appreciates an artist’s creation. Glory of the Supervenient has all the essential ingredients to conjure up this feeling in anyone who listens to it with no fluff added.

More focused than the meandering nature of Trioscapes and more immediate than the sometimes glacial pace of TesseracT, Glory of the Supervenient has the project, led by composer and drummer Andrea Bruzzone, striking a balance seldom can attain, much less in the realm of progressive jazz/fusion. The sheer number of ideas as to where to go and what to do with the medium has resulted in many albums either going too far with the wall of noise or holding back too much in fear of doing so. Glory of the Supervenient doesn’t experiment with the plethora of soundscapes and instruments available to those subscribing to the jazz/fusion moniker but instead chooses to hone its more contemporary musicianship to a razor sheen. Every instrument is clearly differentiated and contributes to the different cascades of mood every song portrays. The guitars in particular showcase a perfect mix of distorted riffage and technical fret play which play through and off each other artfully. The noodling all has a clear focus in each song, and never seems to just fill space. In fact, the entirety of the record gives a definite sense of progression, carrying the listener from one section to the next seamlessly and gives off a welcome cohesiveness.

gots

At the heart of Glory of the Supervenient is its concept, which is that of stripping away the superfluous qualities of emotion, situation, and inspiration and leaving behind only its essence. This is the “concept” in terms of following certain vibe and structures, and perfectly describes the band’s direction with the absence of a variety of instruments and the sharp focus of the songs. That is not to say Glory of the Supervenient drags on at any point, in fact the pacing is beautifully crafted. Musically, the record achieves everything it was made to do.

Glory of the Supervenient may be a new kid in the block, but they bestow upon the masses a genre-defining album, displaying a marvellous blend of experimentation, songwriting expertise (not using that word lightly), and the feeling of plain rocking. The strange juxtaposition of using a concept of stripped-down instrumentation, conveying feeling and moods at their most basic level using a framework as frequently ostentatious and gaudy as progressive jazz-fusion is not lost on this reviewer and the fact that it’s pulled off so well by one man only releasing a debut album is quite a feat. Those who want thrills without frills in their music cannot go wrong by giving this a listen.

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http://www.gloryofthesupervenient.com

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Make Way For Man

EP Review: Make Way For Man – Evolve & Repair

One of the most striking aspects of this debut EP from Make Way For Man is a rather majestic flow, which takes a run of six songs and turns them into something with much grander allusions. Taken at surface level you may think that there is not an awful lot of new going on, but taken as a full on narrative, a whole new world opens up.

Evolve & Repair starts with a gallop with the self-titled song which is full of rolling vistas of bass and drum rolls, and portentous riffs. Full on metal with one foot in prog and the other in djent, Make Way For Man have done their homework and know what makes each sub-genre tick. By the time the inevitable whinny of a horse leads into a clatter of hooves on second song “We Will Surely Drown,” all reservations have been cast to the wind and you will be fully on board.

Make Way For Man - Evolve & Repair

The great thing about Evolve & Repair is that the quality level not only stays the same, but actually rises up a notch and on arguably the best song here, “The Other Side of Fear,” they move on to another level as the pace slows down, but the music gets heavier. Following this with two last pieces on the record “If You’re Going Through Hell Keep Going” (instrumental) and “The End is Up to Me” serve to make an unbeatable part of the record that more than matches anything else released in 2016 so far.

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