Tag Archives: progressive death metal

Peter Royburger (Devcord)

Album Review: Devcord – Dysthymia

Devcord is a progressive death metal project from Austria, founded by composer and multi-instrumentalist Peter Royburger. September 1st, 2018 brought the release of a debut album Dysthymia.

Many of Devcord‘s songs here enter incredibly melodic acoustic passages and give the listener a break from the huge metal riffs that pound eardrums. Royburger screams intense, powerful metal growls and still shows his ability to sing clean, beautiful vocals when needed. 

Devcord - Dysthymia

As far as the death metal section of the Devcord formula goes, the riffing is original, powerful, and tight. Often, the bass will follow the guitar riff if it isn’t a chordal riff. Lead guitar parts harmonize and create an extremely evil and dissonant aura about them. The harmonizations are mixed much better and often sit on top of the guitar riff, not heard unless the listener tries to find them. Typically, Devcord allows the riff to be heard by itself for a few repetitions with the lead guitar soloing before Royburger enters with his powerful metal growling. When it is time for a full out guitar solo, he lets all hell break loose. He covers the entire fretboard and plays tastefully. Unlike so many metal guitarists, Royburger knows how to make an enjoyable solo rather than playing as many notes as possible within 3 seconds. They usually extend the color tones (3rd, 7th, 9th, etc) of the chords and create jazzy melodies, or as close to a jazzy melody that a death metal band can get.

The melodic acoustic side of Devcord is in some ways better than their metal sound. The guitar patterns, again, are the instrumental theme, but the bass often creates a hidden countermelody with the guitar. Peter sings beautifully, and if Devcord produced an album entirely made of these dark, brooding acoustic passages, he would never be expected to be able to scream, let alone scream well. His tone is dark, warm, and round, like the perfect euphonium. The chord progressions are often dissonant and dark. 

Putting these two formulas together creates a full, epic release that sets the stage for the follow up and breakthrough album. Each song on Dysthymia comes with a new energy and aura about them. Song formats never follow anything typical, and listening for the first time is often mind-blowing because of the unexpected climaxes, transitions, and virtuosity in every second of the album. 

Dysthymia has a potential to put Devcord in the direction of becoming one of the greatest metal projects in the coming years. My recommendation would be to treat the album as a single unit, under which circumstances it plays best, although individual songs can be satisfying. Each time I listen there is something new to discover — all in all, a story worth rereading.

Stream Devord‘s Dysthymia here, and follow the project on Facebook.

Nafrat

Review: Nafrat – Abnegation

Technical death metal perfection. That’s pretty much all that need be said about Nafrat’s brilliant new release “Abnegation.” From the moment that you lay eyes on the terrific album art until the final notes of album closer “The Axis of Perdition” leave you jaw agape, this album takes you on a journey through ethereal beauty and Earth-shaking brutality.

The musicianship is astounding and inventive. Even in the moments of calm in the eye of this storm, Nafrat never let you forget that this record is HEAVY in nearly every conceivable sense of the word. Stream below the full album while you’re reading through the review.

Nafrat - Abnegation

Nafrat is a Singapore-based band and “Abnegation” is their second full-length offering. Their previous releases, “Invoking the Masses” EP (2005) and “Through Imminent Visions” (2008), were nothing short of a masterful display of technical death metal musicianship. “Abnegation” ups the ante to dizzying heights. This record edges other death metal releases from 2018 due to it’s sheer inventiveness. Furthermore, I believe that it has actually accomplished the task of ranking right up there with the best overall metal album of the year.

This is where I usually list the highlights of the record. In this case, the entire record is the highlight. DO NOT miss this album if you are a fan of technical death metal and insanely great musicianship.

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Lunar logo

Review: Lunar – Theogony

Sacramento’s Progressive Death Metal newcomers, Lunar, delivered a debut album “Theogony” in November via Divebomb Records. Where listening to this might have you perusing your music collection afterwards for more of the same. The album itself is a satisfying and worthwhile addition to any playlist. Submit to the awesome and let these youngsters’ killing fields slay your senses.

Theogony

Fans of the tried and tested Opeth-influenced sound will find familiar themes to their liking, executed with finesse, while ripping your own speaker cabs a new hole. “Theogony” is definitely no flower show. Contained within this carefully planned victory bed is a clamor of exotic screams and rumbling drumwork, placed within carnivorous riffage. All of these factors groove within thunderous foundations that lure you deeper with every hook as the album progresses.

The journey through “Theogony” is saturated with unholy light that makes monstrous solos and cacophonous riffs appear to further seduce those dangerous enough to approach its ominous perimeter. Uncompromising and intense Lunar promise a dark and intangible odyssey through their song titles, making good on pledge with the entrancingly moribund peaks that excite the imagination while their gallant stride captures your body and entices you to windmill.

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