Tag Archives: psychedelic rock

Welcome Inside the Brain

Interview: WELCOME INSIDE THE BRAIN

I have to admit it: I have a thing for vintage psychedelic / progressive type of rock, and that’s why I found a debut album from German rockers Welcome Inside the Brain quite an enjoyable experience (read my review here).

Singer Frank Mühlenberg was very kind to answer questions about his musical upbringing, forming the band, influences, the album, and more.

Let’s start from your early music beginnings. How did your musical career begin? When did you start playing? Which groups have been your favorites as a young man? Please tell us something more about your early life.

I started my first band in the age of 16. I listened to really noisy kind of music in this time and so I started with an extreme sound: not as a singer, but as a shouter. With 18 I became open minded for new music and started a cool Polka-Ska-Punk project called „Gegen Windmühlen kämpfen“ („Fighting against windmills“) with some friends. At this time I discovered older bands like The Doors, King Crimson and so on and felt in love with the sound of hammond organs.

How did you go about forming Welcome Inside the Brain? Who was the most influential when the band started its musical journey?

Our Ska-Punk band split up after some cool years, because we lived in different towns after finishing school. But our guitar player Georg, who was also a member of this older band, and me founded a group to celebrate the sound of J. Hendrix, J. Cocker and other hippy stuff. Here you can find the roots of our current band.

The members changed over the years and we started to create our own sound with own songs and three years ago we changed the name of the band to „Welcome Inside The Brain.“ I think the most important thing in this band is the very diffrent background of the members. Everybody listens to a very wide range of different music. We don’t think in genres. Sun Ra, John Coltrane, 70s African music, Led Zepplin, Zappa, Anna von Hausswolff… There is an endless list of stuff we listen to…

In the beginning, did you have some “fixed” tempo in composing songs or everything was a product of jamming, improvising?

We work a lot with improvisations, but this can just be a springboard for a song. When we got an idea, we fix it and work it out in detail. But there are also songs with open parts, nobody knows what will happen.

How would you describe Welcome Inside the Brain’s music on your own?

I think it’s really important for us that no song sounds like an other. Every song can be seen as a journey to discover new possibilities. But you can say that this band works a lot with dynamics to create an exploding point.  Structures become more and more intensive
and you’ll find suprisingly twists and turns. The band is looking for a maximum of energy, but I think you need an interesting way to reach the climax.

Celebrate the Depression

Your debut album, Celebrate the Depression, is a follow-up to the 2015 self-titled EP release. Have you felt any pressure while working on Celebrate the Depression because of that?

The EP was like a demo to find a label. We felt never pressure in any way. We always take the time we need to create something. The EP was an important step to the album and two of the three songs of the EP are also a part of the record.

How important the “progressive rock” tag is for the structure of your songs?

We don’t think in stereotypes like progressive or jazz or pop. The energy of a song is important for us. In retrospective you can say, „Celebrate The Depression“ is a Psychedelic-Prog album, but there is no category working as a stencil. To make music means to leave all boundaries behind you…

How do you see the German progressive rock scene today?

Mhm, I have to say, I don’t really know. I know a small scene of real fanatics. Cool guys, organizing really strange concerts, but mostly with French bands. I know a lot of bands, that work with elements you can find in classical progressive rock, but I think Germany is a
rough place for doing this kind of music.

Do you guys consider yourselves a part of any specific cultural movement, however peripheral?

I would say no. We are not part of scene like Gothics, Rockabillies or Metal guys. But I think we see a big worldwide clash of two different cultural movements. Everybody sees all the endless global problems we have. And I think there is a specific movement that locates the reason of this problems in people and tries to segregate them. They got a lot of power they use against other people or groups. On the other hand there’s a movement that locats problems in specific structures of organizing society. Of course we are a part of the second movement and the album „Celebrate The Depression“ refers to contradictions in human being permanently.

Are you also involved in any other projects or bands beside Welcome Inside the Brain?

I’m the only one of the band, who has no other band projects. But I organize a lot of concerts in the town I live. Here it’s also a wide range of concerts. Bands of Jazz, Soul, Afrobeat or Psychedelic music play at my events.

The other guys of Welcome Inside The Brain also have Jazz-, Reggae-, Soul- and Fusion- projects. So there’s a lot of different input…

So, what comes next for Welcome Inside the Brain?

We spend the last week in a lonely cabin full of equipment and wrote songs for the next album. It will sound very different from the first one. And we will play as much concerts as possible in the next months…

Too High To Say Hello

Review: Kiss Kiss King Kong – Too High To Say Hello

Norway’s power trio Kiss Kiss King Kong assault listeners’ ears with highly energetic and sporadic bursts of brilliant dynamics on “To High To Say Hello.” Colorful, complex, and superbly catchy, the band’s debut album is an exceptional collection of hyperactive post-rock and noisy flights of fancy, with momentous musicianship infectious hooks scattered throughout. This album is adventurous, imaginative, and surprising. In fact, it’s the most fearless and unique album I’ve heard this year, although it’s a release from 2015.

The opening “Intro the Night” kickstarts “Too High To Say Hello” like an auditory coma. On “668: Neighbour To The Beast,” the music jolts with a start/stop frenzy that’s too tremendous to ignore. The guitarist provides an impassioned melody for each wildly creative rhythmic shift, which vary between hectic, tranquil, and atmospheric. Best of all, this song proves to be one of the most inventive and unforeseen tracks I’ve heard all year. The psyched-out guitar work is seductive, and the instrumentation on this tune veers more towards psychedelic swing than anything progressive. It bleeds into the equally exciting rock’n’roll banter “Rock All Night” and its follow-up “On A High,” making for completely unexpected stylistic shifts.

Further on, “Bordell California” lives up to the zany awesomeness of its title. It’s luscious, multifarious, and wholly confident — considering it is the longest piece on the record. It is perhaps the most experimental piece on the album, and definitely one of the biggest highlights of “Too High To Say Hello.

Post-punk trails on short “Jet Age” further contribute to the album’s overall multicolourness. The closing “Rewind” is an elegant piece with soaring vocals and tasteful melody.

Too High To Say Hello” is so inimitable. Rarely have I been so impressed with the sheer nonconformity of an album. Then again, it’s equally rare to find a modern band who strives so hard to set itself apart from the pack. Without a doubt, this one is special.

Grab a copy of “Too High To Say Hello” from iTunes. Like Kiss Kiss King Kong on Facebook.

OSC

Øresund Space Collective

The Øresund Space Collective is back with a new studio album, the bands 16th release. The material on this gatefold album was recorded at the Black Tornado studios in Copehagen in April 2012. It is the same studio where all of the bands studio releases have been made.

The line up on this recording session included Mogens and DR. Space on synthesizers as it has been on all the releases as well as all the members of the Danish band Papir (Kristoffer- Drums, Nicklas- Guitar, Christian- Bass (only on Neptune Rising). In addition, Pär from the bands Sgt. Sunshine, Carpet Knights, Hoofoot played the bass. The line up was completely by American guitar player Daniel Lars. This was his first trip ever to Denmark and playing with the Øresund Space Collective.

The Sessions were heavily guitar dominated as was the last studio session from 2010 but the level of solo intensity was lifted up a notch as Daniel and Nicklas lay down some amazing melodic, spacey and ripping guitar on these exploratory tracks. Besides the opening track, Walking on Clouds (A Daniel original, which we jammed on), the rest of the tracks were totally improvised.

The songs presented here were engineered by Lars Lundholm, mixed by Daniel (in his home studio in Colorado in 2012) and mastered by Johan Dahlström in Feb 2013. The fantastic artwork is by the amazing Finnish artist Eetu Pellonpåå.

http://www.oresundspacecollective.com/

https://www.facebook.com/OresundSpaceCollective