Chine is a Swedish progressive death metal band with elements borrowed from Swedish death metal and progressive metal. They are about to launch their new EP entitled “Like Vultures” on March 2nd. Both musically, and lyrically “Like Vultures” has its dark side but never forgets to be melodic from the beginning to the end.
Singer Tintin Andersen has a great voice especially when it comes to clean vocals. A thick voice, ready to sing any kind of high pitched parts in a song. Which brings the release its power. Passages between growl and clean vocals are very well designed and executed. And more importantly they sound very tasty.
There are four tracks on the EP. Another highlight here are great and imaginative guitar solos. They are carrying the songs on a closer level to progressive metal and display the band’s influences, which range from old Opeth, Between The Buried And Me and Dark Tranquility.
It is hard to say that Chine bring something new to the scene, but without hesitation it can be said they brought a tasteful release, very well composed and executed. It highly satisfies the expectations from a listener.
I was admittedly late to the Acidiun party, and it was by my own design. I found that the band’s overall sound is right in my wheel house of technical, tight, and aggressive deathcore. Upon the first listen I was sold, and I immediately devoured “The Coalescence” again. I was greeted by a band that seemed content making their own rules, traversing the slippery slope of sub genre alphabet soup and doing it with style. At times mind-numbingly complex, and at others focused on speed and aggression, they made metal that is forward thinking and diverse, while still being unapologetically heavy.
The more I listened to this record, the more I enjoyed the sounds coming out of it. Make no mistake, the record is a slab of crushing deathcore/metalcore. Impeccably played and impeccably produced, it comes off as another notch on the rich scene. Sonically, the record is tight, fast and heavy with crunchy guitars that have heft and an overall crispness to the sound that allows the instruments to shine. The riffs are heavy, there are odd time bridges, feel changes and tasty leads that fly by in abundance. In short all of the boxes are checked.
Although nominally not a prog band, these guys are talented enough to do whatever they want. They have seemingly found a formula that is working for them for the time being, and only time will show where and how they deviate from it. I will be very curious to hear where they go with the next record, and whether or not they will stay this course they embarked upon.
So at the end of the day, “The Coalescence” is a solid outing from Acidiun. As a fan of metal, I can appreciate what they have done here. I just hope that more of that original mentality creeps its way into their next release.
Death metal is an unwavering staple in the heavy metal world. It’s punishing and unforgiving. Sweden’s Kharva, with their recently released demo, are here to carry the death metal flag well into the future for the genre. Their brand of metal is raw, fast and razor sharp. I hear influences ranging from Bolt Thrower to Death.
“Present Tense” opens up the demo in grand fashion. Jacob Forsberg’s vocals are guttural and straight from the depths of hell. The song is mid-tempo at first, then breaks into a galloping death feast. “Markedness” has a Bay Area thrash feel to it, like early Exodus. The mid-section slows a bit and delivers the massive riff of the song. “Unstable Genius” picks the pace right back up to a frenzied gallop. It’s death metal proper and reminds me of Obituary. The title track keeps the same frenzied pace, and drummer Charlie Agne really exhibits his chops here. He’s a crushing drummer, no matter the tempo! “Cheers Jeff” injects a bit more depth with some melodic guitars in the beginning, and then the beatings begin.
Kharva have a killer death metal demo with this one. It rings of the old school of the genre. It’s up to them now to hit the studio again and deliver on an official release.
News, Interviews & Reviews from the Metal World and Beyond
Notice: Undefined variable: title in /home/content/26/10770226/html/progstravaganza/wp-content/plugins/wp-siren-recent-posts-by-category/wpsiren-recent-posts-by-category.php on line 67