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Interview with THE EARTH AND I

Prog Metal Newyorkers, The Earth and I, dropped their debut full-length effort “The Candleman” on 3rd of November, a release that displays talent of this young five-piece.

The group is ready to put out their sophomore album titled “The Curtain” in early 2018.

Alright, first thing is first. Before we dive into all the music stuff, how’s life?

Life is great, thanks for asking. Between the 5 of us, we have a collective age of 476 years, but we’re feeling fresher than an Andes mint after a tubful of savory Olive Garden grub.

Speaking of new music, you have an album. What can people expect from “The Candleman”?

That’s right. The Candleman is a bit of a smorgasbord. Progressive metal gluttons should find enough long epics and guitar noodles to satiate their hunger. But we hope that every listener can find a morsel or two that piques their fancy.

What was it like working on the album?

The Candleman was a lesson in patience and perseverance. This record features significantly higher production quality than can be found on any of our past project’s releases. In that sense, The Candleman is very much the first album any of us have put out that is able to properly communicate our artistic intent. In the four years and change that it took to make this music, we gained a ton of experience in songwriting, recording, and the production process. We truly cut our teeth on this record, and we hope listeners will appreciate the labor.

The Candleman

Are there any touring plans in support to “The Candleman”?

We can’t say just yet, though we always like to keep ourselves occupied with a consistent stream of local shows. For now, we have a ton of exciting video content planned, as well as an early 2018 release for The Candleman’s companion record, The Curtain, which we wrote and recorded at the same time.

While we are on the subject of touring, what countries would you love to tour?

Any country in Europe would be awesome, but we would particularly like to play the UK. A number of the revered titans of our genre—Tesseract, Sikth, and Monuments to name a few—hail from the UK, so we’d love to check out the scene for ourselves.

Also, definitely Japan. There seems to be a market for noodly guitar bands, but I’m not sure we’d make the cut. Right now, we’re just the instant cup ramen of prog. Gotta step up our noodle game. We’re aiming for udon, but we’ll settle for soba.

Who and what inspires you the most?

I think we continue to be inspired by music’s ability to affect us on a profoundly personal level. Though it becomes rarer as our music libraries expand, we still have those occasional ‘holy shit’ moments when we find something truly novel.

What other genres of music do you listen to? Have any of the other genres you listen to had any impact on your playing?

Jazz. Tigran Hamasyan’s music was a gateway for many of us. The world of jazz is a mile wide, and just as deep. There’s so much we can learn from its sense of modal harmony and unique chord voicings, as well as a wider dynamic range than you typically hear in metal. Also, we’ve noticed the chromaticism of video game music start to creep into new riffs. Expect LP3 to feature nothing but 8-bit jazz standards.

I really appreciate you giving us your time today. Is there anything else you would like to tell us and the fans before we wrap things up?

Alright, I don’t have much time. It’s risky, but I gotta level with you. I’m not even in this band. They got me trapped in a cellar, answering their emails while they bring me mashed potatoes by the bucket. The one they call Meerkat always has this ravenous grin. I think they’re fattening me up. Man, they’re freaking cannibbbbbbbbbbbbbbnm,.;’

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The Earth And I

Review: The Earth and I – The Candleman

The Earth and I is a progressive metal band hailing from New York, and earlier this month the band put out their debut album titled “The Candleman.”

The album contains strong blasting riffs, which are otherwise inherently catchy and actually suit the vocalists incredibly well. They are bludgeoning when paired with vicious growls of Nick Petromilli (also on bass) and Daniel Siew (on guitar), and cleans by lead singer Kendyle Wolven. Wolven simply has such an intense level of passion and energy, like she pours his heart and soul into the music. The best example of this can be heard throughout the album, but as highlights I would mentioned “CGMTC (Life in the Sunset Zone),” “Little Frames” and “Sugar High.”

The Candleman The masterful use of the heavy verse/melodic chorus style of songwriting makes this album incredibly varied. “The Candleman” is all about balance of heaviness and melody. The instrumentation on the album is brought to perfection, and although the band’s technical skills are easy to notice, the band members work in favor of displaying a balance between masterful craftsmanship and performance.

“The Candleman” is one of those albums that is just as good the first time you listen to it as it is the fiftieth. It’s one of those rare cases where it never gets old, yet it doesn’t take any time to grow on you. Whether you’re a seasoned metal listener or someone who is just discovering heavy music, this album will appeal to you in some way or another. It’s incredibly technical and precise in its execution, yet it allows enough melody in to keep it from sounding like a typical instrumental wankfest.

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